Baltimore Portraits (Duke University Museum of Art)
by Amos Badertscher, Amos Badertscher
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Book Summary Information
Author: Amos BadertscherContributor: Tyler Curtain
Edition: Paperback
Published: 1999-12
ISBN: 0822323680
Number of pages: 112
Publisher: Duke University Press
Book Reviews of Baltimore Portraits (Duke University Museum of Art)
Book Review: No freaks....Just Balti-MORONS at their best!
Summary: 5 Stars
Just a quick note....This wonderful visual tool captures many of Baltimore's notorious charachters (including commentary) in a way NO other Baltimore home grown artist could ever come close to. He see's beauty in the obscure and respects those models who respect him. Many photographers take advantage of those who choose to follow the beat of their own drum but not Amos. In my opinion no one in this book is classified as "forgotten." Some models are dead and gone but other models, such as performance artist JeffRey Clagett, persevere and are very grateful to this excellant photographer for including them in his TRIBUTE to the differences that make the locals here "heros" ,in a twisted way, instead of clowns and freaks. To try to lable any of his diverse models is simply missing the whole point. This book is a masterpiece! Buy the book and judge for yourself. You won't be disappointed. For me it is a trip down memory lane and I have yet to see another local photographer pull off such a TRIBUTE!
Summary of Baltimore Portraits (Duke University Museum of Art)
Baltimore Portraits is a unique presentation of photographs by Amos Badertscher. These portraits-many accompanied by poignantly revealing, hand-written narratives about their subjects-represent a sector of Baltimore that has gone largely unnoticed and rarely has been documented. In this volume, the assemblage of images of bar and street people-transvestites, strippers, drug addicts, drag queens, and hustlers-spans a twenty-year period from the mid-1970s to the mid-1990s. Badertscher’s arresting and melancholy photographs document a culture that has virtually disappeared due to substance abuse, AIDS, and, often, societal or family neglect.The photographer’s focus on content rather than on elaborate technique reveals the intensely personal-and, indeed, autobiographical-nature of his portraits. Their simplicity along with the text’s intimacy affects the viewer in ways not easily forgotten. An introduction by Tyler Curtain contextualizes the photographs both within the history of Baltimore and its queer subculture and in relationship to contemporaneous work by photographers Nan Goldin, Robert Mapplethorpe, Cindy Sherman, Duane Michaels, and others. Curtain also positions the underlying concerns of Bardertscher’s art in relation to gay and lesbian cultural politics.
This striking collection of portraits, along with the photographer’s moving text, will impact not only a general audience of photographers and enthusiasts of the art but also those engaged with gay and lesbian studies, queer theory, and cultural studies in general. It is published in association with the Duke University Museum of Art.
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