Aunt Julia and the Scriptwriter: A Novel

Aunt Julia and the Scriptwriter: A Novel
by Mario Vargas Llosa

Aunt Julia and the Scriptwriter: A Novel
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Book Summary Information

Author: Mario Vargas Llosa
Translator: Helen R. Lane
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2007-10-02
ISBN: 0312427247
Number of pages: 384
Publisher: Picador
Product features:
  • ISBN13: 9780312427245
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Book Reviews of Aunt Julia and the Scriptwriter: A Novel

Book Review: The solitary vice as the citadel of ecclesiastic chastity
Summary: 5 Stars

Happy Hour! Mario Vargas Llosa (former Peruvian presidential candidate and prolific novelist) gives us two for the price of one: a coming of age story in the form of a memoir (the 18 y old Marito (who hates being called by that name) works as a radio journalist and has an affair with the 32 y old divorced sister of the wife of an uncle; MVL actually married the woman in real life and she later published her counter-version (titled `What Varguitas didn't tell')), plus a bunch of soap texts written by a radio colleague. That does not at first glance sound like a `must read', but it is quite entertaining. It was filmed in the US under the name Tune in Tomorrow, with Keanu Reeves; the film moved the story from Lima to New Orleans. The book is set in Lima during the 50s (Korean War as point of reference), it first appeared in Spanish in 1977, the film is from 1990.

The memoir and the soap chapters are intermittent; the memoir begins to look more and more like the ever more disorderly scripts by the confused colleague. The soap stories play a part in real life and of course real life comes into the soaps, and `real life' of the novel gets mixed up with real life in, well, real life. Much of the fun comes from international animosities in the Latino world: the script writer is Bolivian; he assumes the worst about Peruvians, he hates Argentines (to the point of diplomatic complications), is jealous of Cubans and Chileans. This is all generally in the spirit of good-natured banter, not poisonous. Well, more or less.

I have never followed any of the productions of the soap industry, not in radio, nor in TV, but I begin to suspect that I missed a treat. Camacho's heroes are mostly male over 50 and in fantastic shape (expressing the writer's longing for eternal youth), though they have increasingly odd habits too. They have the most outrageous adventures, full of tempestuous passions. Sometimes borders between stories melt. With time, Pedro has trouble remembering which name belongs to which character and which series. He never keeps his texts, so he can't check it up. Finally he needs to kill them off to clean up his slate. It becomes a virtual herocide, and all extras are thrown into the bargain. A house collapses in an earthquake, a police station gets burned down by thugs, a ship sinks with all on board, stampeding masses in a football stadium are out of control...

It begins so conventionally and then becomes more and more outlandish:
A surgeon discovers at his niece's wedding that she is pregnant from her brother.
A police sergeant picks up an African illegal immigrant in the port area and is ordered by his superiors to kill the man and drop the body in a garbage dump.
A judge investigates a rape case, interrogating a Jehovah's Witness as a suspect, and the 13 year old victim, who turns out to be a nymphet in the Lolita sense.
A fanatic rodent exterminator and family tyrant unexpectedly meets rebellion in his family.
A female (the exception) psychoanalyst cures an insomniac's problem by making him hate children so that he stops having nightmares of the accident that he had.
A peaceful guest at a boarding house goes insane, tries to kill the owner and rape his crippled wife; later he escapes from the asylum.
A slum priest revolutionizes life by training criminals and prostitutes to do their jobs better, but fails with the introduction of a communal life style. (My review title is the doctor thesis project that the Church had not accepted, surprisingly.)
An alcoholic football referee gets to judge the South American Champions final (oddly between a Peruvian and a Bolivian team, highly unusual), which ends in wholesale slaughter.

We never get the endings of these weird suspense stories, they all stop with cliffhangers, until books are closed in the mass murder wrap-ups.
Pedro Camacho writes every half hour episode in not more than one hour, he is phenomenally productive. No writer's block for Don Pedro! He lives like a pauper but has a huge fan base. His miserable living standard and the contrast to the man's apparent success as a writer should teach MVL a lesson, but it doesn't. Mario is sure he will become a writer, and is equally appalled and frightened by Pedro's work style.
The novel is light-handed fun in the sense of `sheer madness'. If I want to find fault, I would say it is about 100 pages too long. Consider a half star deducted.


Summary of Aunt Julia and the Scriptwriter: A Novel

Mario Vargas Llosa's brilliant, multilayered novel is set in the Lima, Peru, of the author's youth, where a young student named Marito is toiling away in the news department of a local radio station. His young life is disrupted by two arrivals.

The first is his aunt Julia, recently divorced and thirteen years older, with whom he begins a secret affair. The second is a manic radio scriptwriter named Pedro Camacho, whose racy, vituperative soap operas are holding the city's listeners in thrall. Pedro chooses young Marito to be his confidant as he slowly goes insane.

Interweaving the story of Marito's life with the ever-more-fevered tales of Pedro Camacho, Vargas Llosa's novel is hilarious, mischievous, and masterful, a classic named one of the best books of the year by the New York Times Book Review.

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