As Thousands Cheer: The Life Of Irving Berlin

As Thousands Cheer: The Life Of Irving Berlin
by Laurence Bergreen

As Thousands Cheer: The Life Of Irving Berlin
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Book Summary Information

Author: Laurence Bergreen
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1996-03-22
ISBN: 0306806754
Number of pages: 702
Publisher: Da Capo Press
Product features:
  • ISBN13: 9780306806759
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Book Reviews of As Thousands Cheer: The Life Of Irving Berlin

Book Review: Great musical biography
Summary: 5 Stars

This is a terrific show-biz bio that focuses on Berlin's career and tells enough about his personal life to satisfy those of us who remember how complex he was. There are many details of his projects on Broadway and in Hollywood, his publishing company, his early career as a singing waiter, and his tormented retirement. Anyone who likes the kind of anecdotes Moss Hart recounts in "Act One," anyone who is interested in the process of putting on shows and developing movies, will be fascinated by this. The book overflows with the larger-than-life personalities you expect from show business, and there are choice revelations (to me, at least), like his first encounter with George Gershwin, who as a very young man wanted to be Berlin's musical secretary but was rejected for being too talented (i.e., threatening).

The psychology (or psychosis?) of Berlin's genius is presented in a straightforward, non-babbling way. His complexity comes through in his ambivalence towards colleagues, with examples of generosity (an anecdote about the young Burton Lane), avuncularity (Harold Arlen), and rivalry (Richard Rodgers), all contrasted with the almost comical hostility he showed towards some "civilians," especially the scholarly types ("f***ing longhairs") who wanted to dissect him late in his career. His most famous paradox -- the fact that without being able to read music or play an instrument well or even sing decently, he was able to create works of matchless intricacy and depth -- is discussed thoroughly, although it will forever remain mysterious.

There are two dimensions I would like to have seen more fully explored. First, his relations with his original family are almost non-existent after his childhood. While this must be a reflection of reality, I was left curious about what went on between him and his sisters, nephews, and nieces. It's obvious that a major part of his assimilation was to reject all vestiges of his childhood, but it would have been nice to have more detail about encounters with those inconvenient relations. One of the few stories Bergreen includes -- about a sister dying of cancer -- is so painful that maybe he couldn't bring himself to pile on more.

Another aspect that could have been more developed was Berlin's technique. Although no one will ever be able to explain exactly why he's the greatest American songwriter, I would have liked more analysis about how he was able to achieve his unique combination of simplicity and sophistication. There is a total absence of musical examples, which might have two reasons: that publishers of musical bios tell their authors to leave notation out the same way authors of popular science books are prohibited from using equations, or that Berlin's estate forbids the quoting of even the smallest snippets of his songs. Or maybe the author isn't as much of a "longhair" as he seems to be from the precision and insight of his observations.

But even though I would have enjoyed reading more of the above, the book is totally splendid as is. The best compliment I can think of is that it does justice to one of the great artists of the 20th century.

Summary of As Thousands Cheer: The Life Of Irving Berlin

Irving Berlin (1888?1989) was unable to read or write music and could only play the piano in the key of F-sharp major; yet, for the first half of the twentieth century he was America's most successful and most representative songwriter, composing such hits as "Alexander's Ragtime Band," "Cheek to Cheek," "Let's Face the Music and Dance," "Puttin' on the Ritz," "White Christmas," "Anything You Can Do," "There's No Business Like Show Business," and "God Bless America." As Thousands Cheer, winner of the Ralph J. Gleason Music Book Award, explores with precision and sensitivity Berlin's long, prolific career; his self-doubt and late-blooming misanthropy; and the tyrannical control he exerted over his legacy of song. From his immigrant beginnings through Tin Pan Alley, Broadway, and Hollywood to his reclusive and bitter final years, this definitive biography reveals the man who wrote 1500 songs but could never quash the fear that, for all his success, he wasn't quite good enough.

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