Anna of Byzantium

Anna of Byzantium
by Tracy Barrett

Anna of Byzantium
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Book Summary Information

Author: Tracy Barrett
Edition: Mass Market Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2000-10-10
ISBN: 0440415365
Number of pages: 224
Publisher: Laurel Leaf

Book Reviews of Anna of Byzantium

Book Review: Truly excellent historical fiction
Summary: 5 Stars

This is a fascinating and well written book. Set in the closing decades of the 11th century, in the legendary city of Constantinople, this book covers the life of the Byzantine princess, Anna Comnena. Named as heir to the throne from an early age, she grows up conceited, self-centred and ambitious but not without compassion and a strong sense of moral duty. She is loved by both her parents, but her father, the Emperor Alexius, is a distant figure, ideolised by Anna, but away on campaign so often that her true father figure becomes, subconsiously, her tutor, the eunuch, Simon. Simon is one of the best characters of this book, an intellegent, kind man deeply concerned with the other influences acting on Anna.

And other influences there are. From a young age, her ruthless grandmother, Anna Dalassena, takes Anna (Comnena) on as her pupil in the arts of statecraft. Anna Dalassena is an interesting character, one that the reader despises and yet admires, mirroring Anna's emotions. Anna (Comnena) is a willing, and to her grandmother, perhaps a little too able pupil. Some reveiwers have commented that Anna (Comnena)behaves too ambitiously to be a likeable character. I think that this is completely unfair and untrue; we know the real Anna, the compassionate girl that lies behind the princess, and the fact that she makes ruthless decisions makes us familiarise with how she developes as a human being all the more.

Anna has two siblings (in real life she had several but they were "cut" for simplicity's sake; the book looses nothing from it), a beautiful, kind, fairly intellegent but generally childish sister and a much younger brother. The brother, John, appears to be weak, spiteful and capricous, and Anna views him as naught but a minor annoyance, but in fact, John Comnenus is the greatest deciever of all the nobility.

As Anna grows up, both Simon and her mother become worried as to how Anna Dalassena is corrupting her with her cruelty and dishonesty. However, in the rigid, protocal obsessed Byzantine court, it is difficult for Anna Comnena to change arangements. Her grandmother has had the ear of the Emperor for too many years to be easily detatched. Her only confident is another of the book's best character, her maid, a Turkish slave called (by the Greeks) Sophia. One of Anna's rare moments of compassion is called into play when she rescues Sophia's illicit lover from execution, thus aquiring Sophia's eternal gratitude and friendship, something she will need as the years draw on.

As Anna grows older, she begins to hate her younger brother for his spitefullness and her grandmother for her cruelty. Unfortunately, while she expresses these emotions (admitedly rather vehemently) to Simon, she is overheard by her younger brother, John. Her grandmother, realising that Anna will be no ones puppet when she takes the throne, and believing John will be hers, sides with John, and Alexius is persuaded to promise the throne to John, not Anna, leaving Anna bitter. As time goes on, Alexius falls into illness and John and Anna Dalassena come to dominate the palace. Anna's claustrophobic life becomes ever more unbearable; her betrothed is killed in war (she is then betrothed to another man, a historian Anna does neither dislike nor love) and she is shut out from the library by her brother in a particularly malicous mood and the throne room, left with nothing to do but plan her revenge on the child that has ruined her life...

The book is difficult to do justice to in a review. The characterisation is remarkable, with some characters being truly... for a lack of a better word, lovable, while others are utterely hideous. A lesser writer might have made the enemies of Anna so pathetic that they inspire contempt rather than dislike, but Barrett successfuly gives them enough depth, and success, to be threatening and unpleasant. John's character, critised in some reviews, I actually think was very strong, (I won't give anything away, but remember John is a master manipulator, greater than even Anna Comnena, and, as we find out, the master of the Great Game of politics herself, Anna Dalassena.

The culture of Byzantium is reflected well in this novel, particularly the attitudes to women (which I understand the author has some knoledge in). This adds another layer of depth to the storyline.

I have some small qualms about the historical distortions of this book. There are several; there were actually many more than three Comneni children, Anna actually married Nikephorous Byrrenius and had several children by him, and here assasination attempt on John was actually made when she was around 35, not 15. However, these changes are in fact almost irrelevant; Anna's life as a married woman would have really been remarkably similar - claustrophobic and limited. The one more dubious change is that of John's personality; while I think John's behaviour in the book is perfectly consistent, the fact he was actually a benevolent and kind ruler somewhat belies his behaviour in this book. Barrett is a historian herself, rather than a novelist (you wouldn't guess from the book's quality) so I don't dispute that she knows her stuff, and I accept that it will have been almost impossible to streamline John's character with reality, but it still strikes something of a sour chord. This is, however, my only irritation with Anna of Byzantium, an otherwise fascinating story set in a neglected time period.

Summary of Anna of Byzantium

Anna Comnena has every reason to feel entitled. She's a princess, her father's firstborn and his chosen successor. Someday she expects to sit on the throne and rule the vast Byzantine Empire. So the birth of a baby brother doesn't perturb her. Nor do the "barbarians" from foreign lands, who think only a son should ascend to power. Anna is as dismissive of them as are her father and his most trusted adviser--his mother, a manipulative woman with whom Anna studies the art of diplomacy. Anna relishes her lessons, proving adept at checkmating opponents in swift moves of mental chess. But as she matures into a young woman, her arrogance and intelligence threaten her grandmother. Anna will be no one's puppet. Almost overnight, Anna sees her dreams of power wrenched from her and bestowed on her little brother. Bitter at the betrayal, Anna waits to avenge herself, and to seize what is rightfully hers.

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