American Gothic Tales (William Abrahams)
List Price: Our Price: $11.35 You Save: $8.65 (43%) Availability: Usually ships in 1-2 business days Buy Used: from $4.00 (click here) Category: Book See more book details and other editions Book Summary InformationEditor: Joyce Carol OatesEdition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 1996-12-01 ISBN: 0452274893 Number of pages: 560 Publisher: Plume Book Reviews of American Gothic Tales (William Abrahams)Book Review: High literary quality and diversity of content
No doubt because one of America's finest writers of literary fiction edited it, American Gothic Tales contains stories that not only frighten and disturb in their content, but delight in their style as well. Although some of the writers represented here are associated with the gothic/horror genre (Poe, Bierce, Anne Rice, Stephen King, to name a few), many others are celebrated mainstream writers. Of the oldies but goodies, I enjoyed re-reading (after an interim of thirty years or so) Poe's "The Black Cat," a story much more subtle than my younger self appreciated. Several of the stories suggest meanings that go far beyond mere horror. Charlotte Perkins Gilman's "The Yellow Wall-Paper" and Shirley Jackson's "The Lovely House," for example, deal with the confining roles of women. In the first story, a woman who would write and enjoy stimulating company is relegated by her husband to a "nursery" where her every desire is belittled and dismissed. In the second--ostensibly a ghost story--the upkeep required of a fabulous but vampiric house keeps its family prisoners of never-ending housework. Lisa Tuttle's "Replacements" uses an ugly, hairless, helpless, mewling alien creature, rescued and doted on by women, as a droll analogy to a newborn replacing a husband in the life of his wife. Breece D'J Pancake's "Time and Again," told in the voice of a serial killer, provides horror aplenty, but--often missing in this genre--character, motivation, and a pervading sense of tragedy and loss. Bruce McAllister's "The Girl Who Loved Animals" presents a near-future,environmentally-devastated dystopia where a mentally retarded young woman consents to carry in her uterus a gorilla child. In this not-so-alien world of drug addiction and elective surgery run amok, the bonds between mother and child remain intact and poignant. In spite of its searing vision of the future, "The Girl Who Loved Animals" must be an anomaly in the gothic/horror genre--a story with a happy ending.
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