American Gothic Tales (William Abrahams)

American Gothic Tales (William Abrahams)

American Gothic Tales (William Abrahams)
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Book Summary Information

Editor: Joyce Carol Oates
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1996-12-01
ISBN: 0452274893
Number of pages: 560
Publisher: Plume

Book Reviews of American Gothic Tales (William Abrahams)

Book Review: High literary quality and diversity of content
Summary: 5 Stars

No doubt because one of America's finest writers of literary fiction edited it, American Gothic Tales contains stories that not only frighten and disturb in their content, but delight in their style as well. Although some of the writers represented here are associated with the gothic/horror genre (Poe, Bierce, Anne Rice, Stephen King, to name a few), many others are celebrated mainstream writers. Of the oldies but goodies, I enjoyed re-reading (after an interim of thirty years or so) Poe's "The Black Cat," a story much more subtle than my younger self appreciated. Several of the stories suggest meanings that go far beyond mere horror. Charlotte Perkins Gilman's "The Yellow Wall-Paper" and Shirley Jackson's "The Lovely House," for example, deal with the confining roles of women. In the first story, a woman who would write and enjoy stimulating company is relegated by her husband to a "nursery" where her every desire is belittled and dismissed. In the second--ostensibly a ghost story--the upkeep required of a fabulous but vampiric house keeps its family prisoners of never-ending housework. Lisa Tuttle's "Replacements" uses an ugly, hairless, helpless, mewling alien creature, rescued and doted on by women, as a droll analogy to a newborn replacing a husband in the life of his wife. Breece D'J Pancake's "Time and Again," told in the voice of a serial killer, provides horror aplenty, but--often missing in this genre--character, motivation, and a pervading sense of tragedy and loss. Bruce McAllister's "The Girl Who Loved Animals" presents a near-future,environmentally-devastated dystopia where a mentally retarded young woman consents to carry in her uterus a gorilla child. In this not-so-alien world of drug addiction and elective surgery run amok, the bonds between mother and child remain intact and poignant. In spite of its searing vision of the future, "The Girl Who Loved Animals" must be an anomaly in the gothic/horror genre--a story with a happy ending.

Summary of American Gothic Tales (William Abrahams)

Joyce Carol Oates has a special perspective on the ?gothic? in American short fiction, at least partially because her own horror yarns rank on the spine-tingling chart with the masters. She is able to see the unbroken link of the macabre that ties Edgar Allan Poe to Anne Rice and to recognize the dark psychological bonds between Henry James and Stephen King. This remarkable anthology of gothic fiction, spanning two centuries of American writing, gives us an intriguing and entertaining look at how the gothic imagination makes for great literature in the works of forty-six exceptional writers.

In showing us the gothic vision?a world askew where mankind?s forbidden impulses are set free from the repressions of the psyche, and nature turns malevolent and lawless?Joyce Carol Oates includes Henry James?s ?The Romance of Certain Old Clothes,? Herman Melville?s horrific tale of factory women, ?The Tartarus of Maids,? and Edith Wharton?s ?Afterward,? which are rarely collected and appear together here for the first time.

Added to these stories of the past are new ones that explore the wounded worlds of Stephen King, Anne Rice, Peter Straub, Raymond Carver, and more than twenty other wonderful contemporary writers. This impressive collection reveals the astonishing scope of the gothic writer?s subject matter, style, and incomparable genius for manipulating our emotions and penetrating our dreams. With Joyce Carol Oates?s superb introduction, American Gothic Tales is destined to become the standard one-volume edition of the genre that American writers, if they didn?t create it outright, have brought to its chilling zenith.


"Many of the writers in this volume are not 'gothic' writers but simply--writers. Their inclusion here is meant to suggest the richness and magnitude of the gothic-grotesque vision and the inadequacy of genre labels if by 'genre' is meant mere formula." So writes Joyce Carol Oates in a historical introduction to this anthology of 46 tales--tales that span a range from the Puritan paranoia of Charles Brockden Brown (1798) to the biological surrealism of Nicholson Baker (1994). Some critics have written that the gothic sensibility has no relevance in contemporary literature: by showing how gothic tales portray the all-too-current phenomenon of "assaults on individual identity and autonomy," Oates proves them wrong. I predict this will in time be considered a classic and influential anthology.

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