A Problem Like Maria: Gender and Sexuality in the American Musical (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)

A Problem Like Maria: Gender and Sexuality in the American Musical (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)
by Stacy Wolf

A Problem Like Maria: Gender and Sexuality in the American Musical (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)
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Book Summary Information

Author: Stacy Wolf
Edition: Paperback
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2002-07-09
ISBN: 0472067729
Number of pages: 312
Publisher: University of Michigan Press

Book Reviews of A Problem Like Maria: Gender and Sexuality in the American Musical (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)

Book Review: Looking at the Theatre with a Different Lens
Summary: 5 Stars

I am reminded of the old story that a man who only has a hammer sees every problem as a nail. When you view the American musical theater through a lesbian lens you come up with some decidedly different views of Maria in the Sound of Music. Professor Wolf concentrates her study on four actresses of the 50's and early 60's: Mary Martin as Nellie in 'South Pacific,' Ethel Merman as Momma Rose in 'Gypsy,' Julie Andrews in 'My Fair Lady' and Guenevere in 'Camelot,' and Barbra Streisand as Fanny Brice in 'Funny Girl.' Obviously she finds lesbian tendancies in these performances, and her analysis is most interesting to follow.

The musical theatre scene is constantly changing. I would be most interested in her analysis of more current plays such as Les Miz, Phantom of the Opera, and Wicked -- where the two female leads are friends, but in which I do not see lesbian tendancies or messages. Can't two women just be friends?

Summary of A Problem Like Maria: Gender and Sexuality in the American Musical (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)

Subverting assumptions that American musical theater is steeped in nostalgia, cheap sentiment, misogyny, and homophobia, this book shows how musicals of the 1950s and early 1960s celebrated strong women characters who defied the era's gender expectations. A Problem Like Maria reexamines the roles, careers, and performances of four of musical theater's greatest stars-Mary Martin, Ethel Merman, Julie Andrews, and Barbra Streisand-through a lesbian feminist lens. Focusing on both star persona and performance, Stacy Wolf argues that each of her subjects deftly crafted characters (both on and offstage) whose defiance of the norms of mid-twentiethcentury femininity had immediate appeal to spectators on the ideological and sexual margins, yet could still play in Peoria.
Chapter by chapter, the book analyzes the stars' best-known and best-loved roles, including Martin as Nellie in South Pacific, Merman as Momma Rose in GypsyAndrews as Eliza in My Fair Lady and Guinevere in Camelot, and Streisand as Fanny Brice in Funny Girl. The final chapter scrutinizes the Broadway and film versions of The Sound of Music, illuminating its place in the hearts of lesbian spectators and the "delicious queerness" of Andrews's troublesome nun. As the first feminist and lesbian study of the American Broadway musical, A Problem Like Maria is a groundbreaking contribution to feminist studies, queer studies, and American studies and a delight for fans of musical theater.
Stacy Wolf is Associate Professor of Theatre and Dance, University of Texas, Austin.

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