A Guide to the Harpsichord

A Guide to the Harpsichord
by Ann Bond

A Guide to the Harpsichord
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Book Summary Information

Author: Ann Bond
Brand: Amadeus Press
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2001-03-15
ISBN: 1574670638
Number of pages: 267
Publisher: Amadeus Press
Product features:
  • Published by Amadeus Press 268 Pages
  • by Ann Bond
  • Author: Ann Bond

Book Reviews of A Guide to the Harpsichord

Book Review: Excellent & Comprehensive Introduction to the Harpsichord
Summary: 5 Stars

Ann Bond has written an outstanding introduction to the many aspects of the Harpsichord. Her main audience is existing keyboard players coming to the Harpsichord though as a Classical Guitarist I found this book to be immensely useful.

While Ann Bond is clearly hugely knowledgeable about her subject she never allows too much information to get in the way of putting her key points across in an informative and well-reasoned manner. The book is very readable and her style and enthusiasm mean that reading this book is enjoyable throughout.

Chapters deal with the range of subjects which those coming fresh to the Harpsichord need to confront. These include issues of the instrument itself such as maintenance and how acquire, key differences with the piano especially regarding fingering, an overview of different styels of instruments and music as well as a very useful summary of the main Harpsichord repertoire including a listing of Bachs Harpsichord music. In addition there are sections on Figured Bass and how to play with other musicians.

In taking up this instrument I have found answers to all of the questions I have had and the advice has been thoroughly practical.

Indispensable to anyone interested in playing the Harpsichord.

Summary of A Guide to the Harpsichord

This practical guide treats the mechanics and evolution of the instrument and offers a survey of its literature. The author discusses touch and technique, including articulation and fingering, and the issues involved in historical performance practices. She also provides suggestions on selecting and maintaining a harpsichord.

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