A Gesture Life: A Novel
by Chang-rae Lee

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Book Reviews of A Gesture Life: A Novel

Book Review: A whole life made "out of gestures and politeness"
Summary: 5 Stars

Summary of A Gesture Life: A Novel

"There is something exemplary to the sensation of near perfect lightness," confesses this resident alien, "of being in a place and not being there, which seems of course a chronic condition of my life but then, too, its everyday unction, the trouble finding a remedy but not quite a cure, so that the problem naturally proliferates until it has become you through and through. Such is the cast of my belonging, molding to whatever is at hand."

A Gesture Life presents this chronic condition in two different time frames. In one, delivered via flashback, Hata is a medical officer in Japan's Imperial Army. Posted to a tiny installation in rural Burma, he's ordered to oversee a fresh detachment of Korean "comfort women"--i.e., victims of institutionalized gang rape. At first he maintains his professional distance, not to mention his erotic appetite: "It was the notion of what lay beneath the crumpled cotton of their poor clothes that shook me like an air-raid siren." But soon enough he's drawn into a relationship with one of the women, whose bloody and horrific denouement leaves a permanent mark on the "unblissed detachment" of his existence.

The present-tense, American half of the story revolves around Hata's life in Bedley Run, where he adopts, alienates, and finally forms a shaky rapport with his daughter, Sunny. We might expect this sort of material to pale in comparison with his wartime trauma. But oddly enough, Hata's suburban melancholia is much more compelling--and the gradual disclosure of his past, which is supposed to ratchet up the tension, seems too crude a mechanism for a writer of Lee's superlative talents. (His truest tutelary spirit, in fact, might be John Cheever, who gets an explicit nod at one point.) None of this is to dismiss A Gesture Life, whose dual narratives are written with a rare, unhurried elegance. And if Lee's splice job lacks the absolute adhesion we expect from a great work of art, he nonetheless pulls off a remarkable, moving feat: he puts us inside the skin of a man who, "if he could choose, might always go silent and unseen." --James Marcus

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